![]() Mahmoud eventually concludes that visibility is best: “See us….Hear us. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. ![]() Yet these three refugee odysseys have so much in common. ![]() Three countries, three time periods, three brave protagonists. In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees-Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo-eventually intertwine for maximum impact. ![]()
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